|
Don
Moreland came to classical music late in his youth. He vividly remembers
the precise moment when he discovered opera:
I did not discover classical music and particularly
opera until a much later age, 14 to be exact. As a student at Concordia
College in Milwaukee, a prep school for Lutheran ministers, I turned on
the radio one Saturday afternoon and heard, to my intense pleasure and
astonishment, singers singing in a language I did not understand and singing
with beauty and powerful emotions. What were they saying? Why were they
saying it - or rather, - singing it? Who were they? What was the story?
I had to know.
This was, of course a Saturday broadcast from the Metropolitan opera and
the beginning of my fascination with a story that is sung, not merely
told, with human feelings, expressed and enlarged through music. It was
a heady experience and still is.
I rushed to the library. I discovered the libretto, the actual written
words - Carmen, Rigoletto, La Boheme
- like small plays I could read quickly. The who, the what, the why...
all became clear. I had found the key that unlocked the drama. To this
day, reading a new libretto is a special delight. Another world is opening.
A new voice is being heard.

(Photos
courtesy of Myron Fink)
|
After
seven years in the Lutheran seminary, Don Moreland found his true
calling. He entered the University of Illinois as a music student.
There, in 1954, he met Myron
Fink when he sang one of the lead parts in The Boor,
Fink's first opera based on a Chekov short story. Their professional
lives were linked from then on: Myron followed the music, Don went
after the story... and the drama. A few years later, he graduated
from the Yale School of Drama.
In 1960 he went to Germany on a Fulbright opera grant to collaborate
with the famed composer Paul Hindemith on the American premier of
his comic opera,"News of the Day" (Neues vom Tage).
And when it premiered in 1961, he was commissioned by the Santa Fe
Opera of New Mexico to stage it. He has also directed Verdi's Macbeth
and Rossini's Il barbiere di Siviglia. |
A man of the theater,
Moreland has produced and directed stage plays. His works include the
off-Broadway play The Chronicles of Bohikee Creek with James Earl
Jones and the late Moses Gunn, The Tenth Man and Room Service
with Jane Alexander, both at the Arena Stage in Washington DC.
His collaboration with Myron
Fink over the years as librettist - storyteller or playwright
of the opera if you will - has produced the biblical story-based Judith
and Holofernes, Chinchilla, Fink's fifth opera set in 1920s Manhattan,
The Conquistador
and Animalopera.
They have just completed a new opera based on the life of the famous novelist,
Edith Wharton.
Don Moreland resides in San Diego, California with his wife Gill.
|